Life With Horace

poetry & essays


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Floaters

High summer
in an old house
occupied by an army
of visiting bugs
brings dreams
of parachutes
for those I must evict
The one too many ones
the wrong kind of spider
a waving scuttler
scooped up
all elbowed legs
and angled hairy parts 
Then I run
the mercy packet
to the door
flung open to release
the tissue wrapped
passenger
and watch it float
down to sanctuary
on a bed
of violet leaves 

 

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A very old house. In the winter we have critters. Summer brings the bugs The right kind of spiders? Thin bodied long-legged spiders that look like Charlotte. 


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The morning watch

He sits behind the screen,
the sun’s minute hand
remaps his curves in warmth.
With not much else to do
his morning’s work is
out there, living traffic
he will watch and note.
Force marched ants in
single file, small brown toads,
leaf rustles out of sight,
the swooping zizz
of dragonflies.
A hummingbird returns
to drink, then preen. This
makes him smile. Even they
must stop and rest.
The small world quiets, starts to
wait for shade, when high sun
moves away, raptors drafting
on its currents. He sees
and understands. Feeling
stiff he’s up to find another
patch of sun. A whoofing sigh,
then head on paws he sleeps.


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haiku for nearly

each day brings more green
apple tree buds grow fatter
the bear is nearby

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Day 12. each day brings us closer to an explosion of green. there are five bears up on the mountain flanks behind Bear Farm. they tend to visit this time of year.


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Love Your Darlings

A brilliant piece on the creative voice by my friend, and fellow Creative Group at Bedlam Farm member, Andy Sigler. A wonderful read that will have you jumping up and down whispering “yes!”

My Zen Brain

Years ago I was talking to a writer friend about her craft. She wrote professionally and reflected that in her profession, you often have to “kill your darlings.” This refers to the sad reality (at least for the one doing the writing) that very often, your most dear and (at least to you) poignant words can end up on the floor of the editor. Sometimes you are your own editor, sometimes there’s someone paid to edit your work for you. When you do the cutting, there’s a momentary sense of loss that’s followed by the assurance of knowing that shorter is very often better. When someone else brings down the axe, it’s kind of like someone killing your dog.

I don’t say, of course, that it’s like someone killing their child. Nothing is like losing a child. I made the mistake once of comparing losing my dog to someone else…

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